Album reviews CapitalBop’s #1 Album of 2018: Todd Marcus, ‘On These Streets’ On his last album, 2015’s Blues for Tahrir, bass clarinetist Todd Marcus sought to directly address his Egyptian heritage,... December 22, 2018 0
#2 Blacks’ Myths, ‘Blacks’ Myths’ The hazy, trancelike tracks on Blacks’ Myths eponymous debut album brood restlessly, exploring colors and textures across musical... December 22, 2018 0
#3 UnRehearsed, ‘Off the 6’ If you spend enough time in the heart of U Street, you’ll eventually get hip to the sound... December 22, 2018 0
#4 Kris Funn, ‘Bodega: The CornerStore Re-Imagined’ Bassist Kris Funn delivers a beautifully crafted soundtrack to city living on Bodega: The Cornerstore Re-imagined. The bodega... December 22, 2018 0
#5 Sarah Marie Hughes, ‘Coy Fish’ Sarah Marie Hughes’s debut album with her Coy Fish quartet is a nine-song offering that transports listeners into... December 22, 2018 0
Album reviews The Best D.C. Jazz Albums of 2018 It can now be said without any doubt that the D.C. jazz scene is a community of strength and... December 22, 2018 0
Album reviews The Best D.C. Jazz Albums of 2017 Editor’s note: Whoops. There’s no other way to say it: Here at CapitalBop we had a lean year in... December 22, 2018 0
Album reviews Christie Dashiell’s ‘Time All Mine’ Christie Dashiell’s Time All Mine is a smooth melding of the old and new. On her debut solo album,... December 22, 2016 1
Album reviews Mark G. Meadows’ ‘To the People’ On the title track of his third album, To the People, the pianist and vocalist Mark G. Meadows sings,... December 22, 2016 1
Album reviews David Schulman and Quiet Life Motel’s ‘Anhinga’ The role of the violin in contemporary music has always been challenging. Achieving virtuosity on it is one thing,... December 22, 2016 1